My 100 Favorite Tracks of All Time (90-81)

So continues my 100 favorite tracks list. One thing I forgot to note in the intro, is, just to make things a bit more interesting and diverse, I limited myself to 2 tracks per artist. I know that sort of contradicts what I'm going for with a 100 greatest tracks list. But, then again, where's the fun in listening to 10 Springsteen tracks or the entire first side of Blonde on Blonde. I personally think this is a more challenging and rewarding way to look at the list.

Recap of part 1:
100. Stuck in America - Sugarcult
099. History Lesson - Part II - Minutemen
098. To Clean (Acoustic) - Woods
097. Furr - Blitzen Trapper
096. At the Chime of a City Clock - Nick Drake
095. Search and Destroy - The Stooges
094. Scott Farcas Takes It On The Chin - Less Than Jake
093. Ruby Soho - Rancid
092. B.O.B. - Outkast
091. Monk Time - The Monks

90. Waiting Room - Fugazi (http://is.gd/9cbdu)
I got into a discussion recently about what "punk" is. And when I define it, sure I look at classic examples of when punk was first becoming a movement (Sex Pistols, Ramones, etc.). But when I think of punk I think of Fugazi and Minor Threat. These were bands that didn't need buttons on their shirts (or shirts in general) to express themselves. They looked at punk as a lifestyle, not a fashion choice. And for them, punk was not being destructive or counter-productive, but actually meant going out and creating positive change that may or may not be anti-establishment. "Waiting Room" is a perfect example of what it means to want change, which so many punks claim, but don't do anything about except shave a mohawk and pin their jeans. "And I won't make the same mistakes/Because I know how much time that wastes." And did you hear that bass riff? Forget about it!

89. Ain't That Peculiar - Marvin Gaye (http://is.gd/9cdeu)
By the end of the list you'll know this, so I may as well tell you now: I am a pussy. And I don't know what it is, but man, Marvin, I can relate: "Every chance you get you seem to hurt me more and more/But each hurt makes my love stronger than before." What is it about the opposite sex that makes us so stupid? This song was (of course) written by Smokey Robinson, who Bob Dylan once called "America's greatest living poet." I love this song so much, because Marvin's in the moment. He knows exactly what's happening and how ridiculous it is, and yet can't pull himself out of it because of love. And, you know, the melody is great, the tune rules, and Marvin's voice is always fantastic.

88. (I'm Not Your) Steppin' Stone - Minor Threat (http://is.gd/9cgRx)
This song was originally by Paul Revere and the Raiders, and then made famous by the Monkees. But, come on, this was always a punk song. The best incarnation was by Minor Threat, a predecessor to Fugazi (see #90 for ramblings on that whole thing). I am a huge fan of the production on this song. It starts out like you're hearing this band practice through the phone. And then you're magically sucked through the phone into this sweaty club where these punks are thrashing to a song made famous by the fucking Monkees. How great is that?!

87. Daylight - Aesop Rock (http://is.gd/9cihY)
"I'll hang my boots to rest when I'm impressed/So I triple-knot 'em and forgot 'em." Cerebral hip-hop has a rightful bad reputation. Most of the time it's just some wannabe intellectual jerking off to a thesaurus and thinking that passes for impressive lyrics or wordplay. "Daylight" is a poetic marvel. The syntax and meter and delivery of these insanely complex lines are something that can only be digested after multiple listens. It also doesn't hurt that Blockhead's beat is beautiful and soulful, and everything that underground hip-hop should be but isn't, because it's usually too busy telling you about how underground it is.

86. In the New Year - The Walkmen (http://is.gd/9ckDo)
I first heard this song on Mr. Tim Kringle's year in review 2008, and man, I was hooked. I can't hear the chorus without just nodding my head like a moron. I love this song because the verses are so subdued, yet filled with this tension, which erupts into this absolute monster of a chorus.

85. Judy is a Punk - Ramones (http://is.gd/9cmfb)
"Second verse, same as the first." This song is everything I love about the Ramones. Raw energy and attitude packed into 1:30. Is there anything else you really need to hear to justify this track? You are going to get a taste of almost everything that was happening in CBGB in the 70s during the course of these 100 tracks, and the Ramones were just a small sliver. But my God was that sliver significant and awesome.

84. I'm the Man Who Loves You - Wilco (http://is.gd/9cnpH)
This track comes from Wilco's brilliant 2002 album Yankee Hotel Foxtrot. There is only so much one can say in a letter or a song. Sometimes all it takes is a hug or a kiss or a glance to know how someone truly feels. Jeff Tweedy just perfectly captures how frustrating it can be staring down at a page and wishing those words could just bring the person to you so you can say everything you can't articulate in words. And the melody/harmony is beautiful. I also love how the intro completely leads you with a totally different impression of what the song is going to be.

83. My Brain Is Hanging Upside Down (Bonzo Goes To Bitburg) - Ramones (http://is.gd/9cp6W)
The Ramones were not a political band. But they were also not completely apolitical. This song has a fascinating backstory behind it. Long story short: Ronald Reagan is a dickhead. The hook on this song is so amazing. I just can't get enough of Joey's delivery on it: "My brain is hanging UP!side-down." It's also awesome to see how the Ramones evolved as a serious rock and roll band. Not just 3-chord punk.

82. White Riot - The Clash (http://is.gd/9cq5G)
Oh Joe Strummer. This song is essentially, "Hey whitey, stop being a pussy and get mad!" It just shows how The Clash were always champions of the disenfranchised, pretty much regardless of race or creed or anything else. And it's just a great, iconic, loud and angry punk song.

81. Many Rivers to Cross - Jimmy Cliff (http://is.gd/9crgQ)
Above my bed I have a series of posters taken from the Robert Frost poem "Stopping by Woods on a Snowy Evening" that say "I have promises to keep/And miles to go/Before I sleep." This song is essentially that sentiment in brilliant song form. Jimmy Cliff's voice just soars. Life is such a hard, lonely journey, but you have to endure: what a powerful message sung even more powerfully. This song is on The Harder They Come, which is probaby the greatest reggae album ever made. It really inspires me to push even when everything seems hopeless.

8tracks: External:


Next up 80-71!

-Erik