Thursday, March 11, 2010

My 100 Favorite Tracks of All Time (10-1)

Alright everyone!! Here's the final installment of my 100 favorite tracks project. Thanks a bunch for checking this out.

Where we've been:
100. Stuck in America - Sugarcult
099. History Lesson - Part II - Minutemen
098. To Clean (Acoustic) - Woods
097. Furr - Blitzen Trapper
096. At the Chime of a City Clock - Nick Drake
095. Search and Destroy - The Stooges
094. Scott Farcas Takes It On The Chin - Less Than Jake
093. Ruby Soho - Rancid
092. B.O.B. - Outkast
091. Monk Time - The Monks
090. Waiting Room - Fugazi
089. Ain't That Peculiar - Marvin Gaye
088. (I'm Not Your) Steppin' Stone - Minor Threat
087. Daylight - Aesop Rock
086. In the New Year - The Walkmen
085. Judy is a Punk - Ramones
084. I'm the Man Who Loves You - Wilco
083. My Brain Is Hanging Upside Down (Bonzo Goes To Bitburg) - Ramones
082. White Riot - The Clash
081. Many Rivers to Cross - Jimmy Cliff
080. Lived In Bars - Cat Power
079. Venus - Television
078. In The Neighborhood - Tom Waits
077. Losing My Edge - LCD Soundsystem
076. Vitamin C - Can
075. International Player's Anthem - UGK (feat. Outkast)
074. Someday - The Strokes
073. These Days - Nico
072. All Falls Down - Kanye West
071. Debaser - Pixies
070. Suspicious Minds - Elvis Presley
069. Goodbye Stranger - Supertramp
068. For Once In My Life - Stevie Wonder
067. Leaves That Are Green - Simon & Garfunkel
066. Mr. Pitiful - Otis Redding
065. Four Winds - Bright Eyes
064. Forks and Knives (La Fete) - Beirut
063. If Looks Could Kill - Camera Obscura
062. People Got A Lotta Nerve - Neko Case
061. You Got Yr. Cherry Bomb - Spoon
060. Newsflash - Windmill
059. Rose Parade - Elliott Smith
058. Into the Mystic - Van Morrison
057. You Can Call Me Al - Paul Simon
056. Waterloo Sunset - The Kinks
055. Losing Out - Black Milk (feat. Royce Da 5'9")
054. The Boy with the Thorn in His Side - The Smiths
053. Ever Fallen in Love (With Someone You Shouldn't've)? - Buzzcocks
052. All I Need - The Temptations
051. God Only Knows - Beach Boys
050. Elephant Gun - Beirut
049. Skating Away - Jethro Tull
048. Man Out Of Time - Elvis Costello
047. Brother Run Them Down - Constantines
046. M79 - Vampire Weekend
045. The Wind - Cat Stevens
044. Constructive Summer - The Hold Steady
043. Reinventing the Wheel to Run Myself Over - Fall Out Boy
042. I'll Be Your Man - The Black Keys
041. A Change Is Gonna Come - Sam Cooke
040. Landslide - Smashing Pumpkins
039. Here Should Be My Home - No Age
038. Metal Firecracker - Lucinda Williams
037. So Far Around the Bend - The National
036. Shakey Dog - Ghostface Killah
035. I Only Want to Be With You - Dusty Springfield
034. July, July! - The Decemberists
033. I Want You - Bob Dylan
032. No Rain - Blind Melon
031. Answering Machine - The Replacements
030. Let's Not Shit Ourselves (To Love and Be Loved) - Bright Eyes
029. Throwing It All Away - Genesis
028. Street Fighting Man - Rolling Stones
027. Disney Girls (1957) - Beach Boys
026. Incident On 57th Street - Bruce Springsteen
025. This Will Be Our Year - The Zombies
024. Life on Mars? - David Bowie
023. Don't Mug Yourself - The Streets
022. I'm A Cuckoo - Belle & Sebastian
021. Mama's Pearl - Jackson 5
020. 11:59 - Blondie
019. Ain't Too Proud to Beg - The Temptations
018. Once in a Lifetime - Talking Heads
017. Come On! Feel The Illinoise!: Part I: The World's Columbian Exposition/Part II: Carl Sandburg Visits Me In A Dream - Sufjan Stevens
016. Fake Empire - The National
015. Honey In The Sun - Camera Obscura
014. Nightswimming - R.E.M.
013. The Way Young Lovers Do - Van Morrison
012. Train in Vain - The Clash
011. Wait, Wait, Wait - The Format

010. Skyway - The Replacements (http://is.gd/ag3ku)
As a sidenote, Paul Westerberg looks exactly like Thomas Jane in that video. This track is just gorgeous. I love how Westerberg takes such a mundane act of waiting for a ride in downtown Minneapolis and finds this song. Just perfect, tight, and excellent.

009. See You Later - Elliott Smith (http://is.gd/ag58B)
This is kind of an unknown Elliott Smith song. He wrote it when he was with the band Heatmiser, but always played it live solo. It found remastered home on the poorly-named New Moon. This track is, of course, a heartbreaking look at Elliott's addictions and depression. I wish I could say, you know, "I love this song!" but hearing Elliott's pain is devastating to me. But, the fact that he can draw these visceral emotions out of me makes me realize what I love about music. I listen to music to feel something, anything. Just the fact that such beauty can come out of such sadness is the sign of true art.

008. Cemetry Gates - The Smiths (http://is.gd/ag6Lj)
This is the only album, The Queen is Dead, that has two tracks on this list. This song is so clever, and a testament to how great of a songwriter Morrissey is. I love the allusions and the little bits of philosophy he imparts in a catchy pop song. I just realized how pretty evenly divided this top 10 list is among the decades. This track is perfect example of why the 80s produced some of the best pop music of all time; better than the 90s and 00s and debatable to the 70s

007. Rock and Roll - Velvet Underground (http://is.gd/ag7BB)
This track has it all: the great rhythm and guitar, Lou Reed showing that he doesn't have to be completely abrasive and maybe, just maybe, he can write a straight solid rock and roll song, an incredible hook and blistering guitar solos. Looking back on Minutemen's "History Lesson - Part II," ("Punk rock changed our lives") this song, released in 1970, has the exact same mentality. Times and sensibilities change, but the power of music as an outlet for rebellion and escape is constant.

006. Stuck Between Stations - The Hold Steady (http://is.gd/ag9rL)
Just like what I said about The National, The Hold Steady's Craig Finn writes about America. This song, I think, is his masterpiece in that regard; full of literary allusions, colloquial references and common threads that tie us all together as Americans. Finn delivers these intelligent lines with so much vitriol; chocked full of piss, vinegar & Pabst. I don't think I could pick a favorite line if I tried. And on top of everything this track rips and roars, and then hits you with that smooth, almost Bruce Hornsby-esque bridge.

005. Thunder Road - Bruce Springsteen (http://is.gd/aga5i)
Springsteen is incredible for a lot of reasons, but what I love him most for is his overabundance of incredible lyrics. This song clocks in at about 5:00, and throughout most of it the Boss is singing (lyrics: http://is.gd/ahDgh). I'm sure you've heard this song, so I don't need to give you a play-by-play. Some of my favorite parts: "Come take my hand/We're riding out tonight to case the promise land," "Your graduation gown lies in rags at their feet," and the hopelessly "triumphant" end.

004. For No One - The Beatles (http://is.gd/agauv)
This is my favorite Beatles song, which is sort of odd, because it was recorded solely by Ringo and Paul, who are not my favorite Beatles. But, this song is emblematic of why the Beatles are incredible: even deeper cuts on their records were perfectly crafted pop music. They couldn't write bad pop songs. It just didn't happen. The French Horn in this song is perfect, too.

003. Holland, 1945 - Neutral Milk Hotel (http://is.gd/aiA)
THE song of the 1990s. Where to begin with this one? I'll start with just general attitude and work backwards: this song is manic. Everything about this song sounds like it belongs in a schizophrenic's head. Musically, to this day I've never heard a guitar song like that fuzzy, raucous acoustic monster Jeff Mangum's playing. The drums and rhythm are powerful and officious. The vocals are just all over the map and furious. The horns just fan the flames that is this song. The lyrics are completely obsurd: basically a historial account/sympathy letter to Anne Frank. I don't think there has been a more powerful song written in the "indie" canon to this day.

002. I Want You Back - Jackson 5 (http://is.gd/agegM)
OK! So this is my favorite pop song ever written. Simply enough. If you've heard this song and not liked it, excuse me, but there is something seriously wrong with you. I could pick out dozens of things I love about this song, but it really boils down to 1 thing: the chord progression. Flawless, unapologetic, up-beat, brilliant pop music.

001. Like A Rolling Stone - Bob Dylan (http://is.gd/aggXd)
I don't care if this is cliche. This song is the culmination of everything I love in a song. As I discussed in the intro, I think a good critic has to draw lines between what's good and what they like. But, for me, when I listen to music, the historical significance of the song or album plays into my enjoyment. Like, "Like A Rolling Stone" wasn't created in a vaccuum. It's important to see where/when the song was born to understand its creation. I don't even know where to begin with this one either. It's the ultimate triumph of iconoclastic songwriting, both sonically and lyrically. The words are the voice of the changing guard of every era. And the voice of changing ways. I constantly find myself in a state of transition, and this song screams into that void of uncertainty.

I recently heard this song back-to-back with "The Times They Are A-Changing." "Like A Rolling Stone" is the next step in the percieved peaceful revolution. Like, instead of changing times it's, "Times have changed. Learn to live in the new world or die. And PS. Go fuck yourself." This changing attitude also coincided with Dylan going electric. Listen to this track closely and acoustic instruments (guitar and piano) are isolated to one channel and electric (organ and guitar) are isolated to the other. Dude was battling himself and his changing musical ways in his own song!

I also spoke of the "Knock out" verse earlier. This entire song is a knockout verse. It could end at any time, but just when you think it could end he comes right back, "Awwwwww! Princess on the steeple..." And every verse is perfect.

What else. The chorus. "HOW DOES IT FEEL?!" The way those words are sung just cuts through everything with a hot knife of disdain and anger. Please, I impore you, if you've never seen the video I posted for this song, watch it. He's literally screaming into the mic as these passive folk-fucks stare blankly into this typhoon of protest. When the so-called forces of change aren't forceful enough you have to be bigger than they are. This song is why Bob Dylan is revolutionary. And why this is my favorite song of all time.

Thanks a lot for checking this out.

8tracks: External:


Best,
Erik

Wednesday, March 10, 2010

My 100 Favorite Tracks of All Time (20-11)

Alright. We're down to the last couple entries here. Feel encouraged to let me know if you want .mp3s of any of this.

And we're off... again:
100. Stuck in America - Sugarcult
099. History Lesson - Part II - Minutemen
098. To Clean (Acoustic) - Woods
097. Furr - Blitzen Trapper
096. At the Chime of a City Clock - Nick Drake
095. Search and Destroy - The Stooges
094. Scott Farcas Takes It On The Chin - Less Than Jake
093. Ruby Soho - Rancid
092. B.O.B. - Outkast
091. Monk Time - The Monks
090. Waiting Room - Fugazi
089. Ain't That Peculiar - Marvin Gaye
088. (I'm Not Your) Steppin' Stone - Minor Threat
087. Daylight - Aesop Rock
086. In the New Year - The Walkmen
085. Judy is a Punk - Ramones
084. I'm the Man Who Loves You - Wilco
083. My Brain Is Hanging Upside Down (Bonzo Goes To Bitburg) - Ramones
082. White Riot - The Clash
081. Many Rivers to Cross - Jimmy Cliff
080. Lived In Bars - Cat Power
079. Venus - Television
078. In The Neighborhood - Tom Waits
077. Losing My Edge - LCD Soundsystem
076. Vitamin C - Can
075. International Player's Anthem - UGK (feat. Outkast)
074. Someday - The Strokes
073. These Days - Nico
072. All Falls Down - Kanye West
071. Debaser - Pixies
070. Suspicious Minds - Elvis Presley
069. Goodbye Stranger - Supertramp
068. For Once In My Life - Stevie Wonder
067. Leaves That Are Green - Simon & Garfunkel
066. Mr. Pitiful - Otis Redding
065. Four Winds - Bright Eyes
064. Forks and Knives (La Fete) - Beirut
063. If Looks Could Kill - Camera Obscura
062. People Got A Lotta Nerve - Neko Case
061. You Got Yr. Cherry Bomb - Spoon
060. Newsflash - Windmill
059. Rose Parade - Elliott Smith
058. Into the Mystic - Van Morrison
057. You Can Call Me Al - Paul Simon
056. Waterloo Sunset - The Kinks
055. Losing Out - Black Milk (feat. Royce Da 5'9")
054. The Boy with the Thorn in His Side - The Smiths
053. Ever Fallen in Love (With Someone You Shouldn't've)? - Buzzcocks
052. All I Need - The Temptations
051. God Only Knows - Beach Boys
050. Elephant Gun - Beirut
049. Skating Away - Jethro Tull
048. Man Out Of Time - Elvis Costello
047. Brother Run Them Down - Constantines
046. M79 - Vampire Weekend
045. The Wind - Cat Stevens
044. Constructive Summer - The Hold Steady
043. Reinventing the Wheel to Run Myself Over - Fall Out Boy
042. I'll Be Your Man - The Black Keys
041. A Change Is Gonna Come - Sam Cooke
040. Landslide - Smashing Pumpkins
039. Here Should Be My Home - No Age
038. Metal Firecracker - Lucinda Williams
037. So Far Around the Bend - The National
036. Shakey Dog - Ghostface Killah
035. I Only Want to Be With You - Dusty Springfield
034. July, July! - The Decemberists
033. I Want You - Bob Dylan
032. No Rain - Blind Melon
031. Answering Machine - The Replacements
030. Let's Not Shit Ourselves (To Love and Be Loved) - Bright Eyes
029. Throwing It All Away - Genesis
028. Street Fighting Man - Rolling Stones
027. Disney Girls (1957) - Beach Boys
026. Incident On 57th Street - Bruce Springsteen
025. This Will Be Our Year - The Zombies
024. Life on Mars? - David Bowie
023. Don't Mug Yourself - The Streets
022. I'm A Cuckoo - Belle & Sebastian
021. Mama's Pearl - Jackson 5

Getting close to home!

020. 11:59 - Blondie (http://is.gd/a9NGn)
And we're back to CBGB! Who would have thought cute little Debbie Harry would have been such a genre-bridging music icon? "11:59" is just a damn fine New Wave track, and (along with #18, as you will see) is just a testament to how diverse the scene at CBGB was in the late 70s. It's a deeper cut off of Parallel Lines, their most well-known album, and it was written by Jimmy Destri, probably their least-known songwriter. I love the transition from the intro to the verse. And the consonace in the opening lines is awesome.

019. Ain't Too Proud to Beg - The Temptations (http://is.gd/a9Oap)
Of course this is the culmination of the "Erik is a pussy" theory. But more importantly, David Ruffin just kills it. I love how the drums are like a little warning before that monster, soulful voice comes in. I also have a special relationship with this song on account of The Temptations made-for-TV movie where Leon as Ruffin steals the mic after quitting the group. Just Perfect.

018. Once in a Lifetime - Talking Heads (http://is.gd/a9Oy3)
AGAIN with the CBGB! This song is so fantastic! The break beat, that funky bassline, the hook, and David Fucking Byrne being totally batshit brilliant. One thing that separates the Talking Heads from someone like Paul Simon (and concordantly, today, Vampire Weekend from Dirty Projectors) is the difference between using a style (like Graceland and Vampire Weekend S/T being essentially afropop albums) and blending influences to create your own style (like Remain in Light and Bitte Orca using afropop and hip-hop and everything else and melding it together). I personally love all of the aforementioned albums, but I admire the latter style a bit more. This track just does it for me. I love the last verse especially.

017. Come On! Feel The Illinoise!: Part I: The World's Columbian Exposition/Part II: Carl Sandburg Visits Me In A Dream - Sufjan Stevens (http://is.gd/a9P3K)
It's odd that this set has 3 of the 5 or so songs on the list in different time signatures (this one being 5/4, #17 being 3/4 and #13 being 3/4, I think?). This song goes along with the same reason I love Beirut so much: cultivating an aesthetic. Just the instruments and everything makes me feel like I'm at the Chicago World's Fair. The lyrics are so the reason why Sufjan is an incredibe songwriter: the ability to squeeze emotional meaning and broader signficance out of history and places and things. Then the turn into part 2 is so beautiful. "Are you writing from the heart?"

016. Fake Empire - The National (http://is.gd/a9Pyj)
Once again we have The National. Everything that's good about them is on display here: the slow unfurling culminating with the brilliant horn cacophony at the end, the drums and bass (my god when the drums synch with the groove of the piano!), and the lyrics. The National, like a lot of my favorite bands, write about America. And this song in particular I think captures the jaded-ness (?) and disaffection a lot of us feel about being in this country.

015. Honey In The Sun - Camera Obscura (http://is.gd/a9PYN)
OK! Going along with what I previously said about Camera Obscura: I don't care if you only do one thing if that one thing is write beautiful, catchy pop songs. Now, I heard criticism of this song being too long, which I will refute with my theory of the "Knock-out Verse." One of my favorite musical devices is when an artist loads a song with words (when the words are good, obviously). A knock-out verse is a verse thrown in at an obvious ending point in a song. My favorite example is in "Born to Run" (at 3:00), but this song uses it effectively and wonderfully. I guess my whole love of Camera Obscure is based on "too much of a good thing."

014. Nightswimming - R.E.M. (http://is.gd/a9Qwz)
This song is just so basic and beautiful. That powerful circular piano riff coupled with those gorgeous, nostalgic lyrics. It always enthralls me.

013. The Way Young Lovers Do - Van Morrison (N/A)
I hate how this song isn't available online (aside from my 8tracks list!). Astral Weeks is maybe my favorite album of all time, and this song is my favorite on it. The bass is incredible (interesting side note, the man, Richard Davis, who played bass on this album, also contributed bass on Born to Run. He's also a professor at the University of Wisconsin, which is cool.) The vocals are Van Morrison, so they're nuts. And throw on top of it those championship horns?! This song is unbelievable. My favorite moment(s) is the transition into the "Then we sat on our own star..." So jazzy and funky.

012. Train in Vain - The Clash (http://is.gd/a9Swv)
The Clash are so versatile. And, it may be a bit of a slight to pick one of their most popular songs as a favorite; but, The Clash were as much a pop group as they were a punk band. Sure, they wrote unbelievable songs about the disenfranchised underclasses, but they also wrote excellent pop songs. And their are fewer better pop songs than "Train in Vain." Joe Strummer just sings this song with such passion. "Stand by me/Or not at all."

011. Wait, Wait, Wait - The Format (http://is.gd/a9STp)
Once again, this song is a prime testament to the "Greatest vs. Favorite" list concept. The Format is/was an (now-defunct) underappreciated indie-pop band from the early/middle part of the decade. I don't understand how these guys didn't catch on; Interventions + Lullabies (the album this song is off of) is full of the same type of well-crafted pop songs as the much-praised Wolfgang Amadeus Phoenix, just with slightly rougher production. "Wait, Wait, Wait" is full of amazing one-liners, a flawless melody, great harmony and an excellent hook. Do yourself a favor and listen to it if you've never heard it. And read the lyrics: http://is.gd/aaSbu

8tracks: External:


Sliding Home,
Erik

Tuesday, March 9, 2010

My 100 Favorite Tracks of All Time (30-21)

Once again, no pithy snark for you.

Recapitulation:
100. Stuck in America - Sugarcult
099. History Lesson - Part II - Minutemen
098. To Clean (Acoustic) - Woods
097. Furr - Blitzen Trapper
096. At the Chime of a City Clock - Nick Drake
095. Search and Destroy - The Stooges
094. Scott Farcas Takes It On The Chin - Less Than Jake
093. Ruby Soho - Rancid
092. B.O.B. - Outkast
091. Monk Time - The Monks
090. Waiting Room - Fugazi
089. Ain't That Peculiar - Marvin Gaye
088. (I'm Not Your) Steppin' Stone - Minor Threat
087. Daylight - Aesop Rock
086. In the New Year - The Walkmen
085. Judy is a Punk - Ramones
084. I'm the Man Who Loves You - Wilco
083. My Brain Is Hanging Upside Down (Bonzo Goes To Bitburg) - Ramones
082. White Riot - The Clash
081. Many Rivers to Cross - Jimmy Cliff
080. Lived In Bars - Cat Power
079. Venus - Television
078. In The Neighborhood - Tom Waits
077. Losing My Edge - LCD Soundsystem
076. Vitamin C - Can
075. International Player's Anthem - UGK (feat. Outkast)
074. Someday - The Strokes
073. These Days - Nico
072. All Falls Down - Kanye West
071. Debaser - Pixies
070. Suspicious Minds - Elvis Presley
069. Goodbye Stranger - Supertramp
068. For Once In My Life - Stevie Wonder
067. Leaves That Are Green - Simon & Garfunkel
066. Mr. Pitiful - Otis Redding
065. Four Winds - Bright Eyes
064. Forks and Knives (La Fete) - Beirut
063. If Looks Could Kill - Camera Obscura
062. People Got A Lotta Nerve - Neko Case
061. You Got Yr. Cherry Bomb - Spoon
060. Newsflash - Windmill
059. Rose Parade - Elliott Smith
058. Into the Mystic - Van Morrison
057. You Can Call Me Al - Paul Simon
056. Waterloo Sunset - The Kinks
055. Losing Out - Black Milk (feat. Royce Da 5'9")
054. The Boy with the Thorn in His Side - The Smiths
053. Ever Fallen in Love (With Someone You Shouldn't've)? - Buzzcocks
052. All I Need - The Temptations
051. God Only Knows - Beach Boys
050. Elephant Gun - Beirut
049. Skating Away - Jethro Tull
048. Man Out Of Time - Elvis Costello
047. Brother Run Them Down - Constantines
046. M79 - Vampire Weekend
045. The Wind - Cat Stevens
044. Constructive Summer - The Hold Steady
043. Reinventing the Wheel to Run Myself Over - Fall Out Boy
042. I'll Be Your Man - The Black Keys
041. A Change Is Gonna Come - Sam Cooke
040. Landslide - Smashing Pumpkins
039. Here Should Be My Home - No Age
038. Metal Firecracker - Lucinda Williams
037. So Far Around the Bend - The National
036. Shakey Dog - Ghostface Killah
035. I Only Want to Be With You - Dusty Springfield
034. July, July! - The Decemberists
033. I Want You - Bob Dylan
032. No Rain - Blind Melon
031. Answering Machine - The Replacements

030. Let's Not Shit Ourselves (To Love and Be Loved) - Bright Eyes (http://is.gd/a5Gee)
This song is Bright Eyes in 9:00. The crash course. It breaks up pretty much all of his themes and distills them verse by verse: human commentary, political ire, personal tragedy and tied all together with love. The scene of him and his father in the hospital is some of the most moving words put to music. This is also probably as close to a Bob Dylan song that's ever been produced. Musically, just a solid rebel country song. But the centerpiece here are the lyrics. The fact that they can take a riff, run with it for 9 minutes and keep me completely enthralled is a testament to how great the words are.

029. Throwing It All Away - Genesis (http://is.gd/a5LJK)
Phil Collins: the fucking melody man. There's a definite schism in the history of Genesis, from prog to pop. And for me, I favor the latter incarnation, mostly because of Phil Collins. The melody on this song is remarkable; and it never gets old for me.

028. Street Fighting Man - Rolling Stones (http://is.gd/a5M6v)
This song is just pure rock and roll. Whenever I hear the guitar riff I get wild-eyed like Zack Attack. I can't really say much more. Rock and roll, man.

027. Disney Girls (1957) - Beach Boys (http://is.gd/a5Mzr)
"All my life I've spent the night with dreams of you." This is just a gorgeous love song with a fantastic melody. This is the kind of love I think everyone aspires to find one day. Even if you don't realize it now, growing old with someone is something to revere and covet.

026. Incident On 57th Street - Bruce Springsteen (http://is.gd/a5MUG)
This is the first cut on my favorite record side of all time (Side 2 of The Wild, the Innocent & the E Street Shuffle). This song is everything I love about the Boss: great lyrics, tight and deceptively complex instrumentation, and a great narrative. Bruce just captures the sights, sounds and mood of his place and time so well.

025. This Will Be Our Year - The Zombies (http://is.gd/a5N84)
Oddessey and Oracle is a brilliant album on par with Sgt. Pepper's and Pet Sounds, and deserves to be mentioned in the same breath. This is pretty much a flawless pop song, and one of the best love songs ever written. This block of tracks has been pretty stacked with awesome melodies, and this song is no different.

024. Life on Mars? - David Bowie (http://is.gd/a5Nks)
Looking back, I think "Queen Bitch" would have been on this list. My bad. But "Life On Mars?" is my favorite Bowie song. If you've ever partied in Madison you can relate to the lyrics, and the chorus is just a monster. I love this song.

023. Don't Mug Yourself - The Streets (http://is.gd/a5NAS)
What up Mike Skinner?! The Streets is one of, if not the, most original thing to come out in hip-hop in the 2000s. This song is the only straight-up funny track on this list, and it doesn't disppoint. Probably my favorite song to throw on at a party. "Oi oi oi oi!"

022. I'm A Cuckoo - Belle & Sebastian (http://is.gd/a5O9k)
Just like "July, July!" and The Decemberists, there are a dozen Belle & Sebastian songs that could be on this list. But I always come back to "I'm A Cuckoo." How can you hear this song and not fall in love with it? I'm finding my descriptions getting less and less expository as we get closer to #1, but it makes sense; it's hard to explain why we specifically love something that we feel strong connection to.

021. Mama's Pearl - Jackson 5 (http://is.gd/a5OuT)
If you haven't noticed, I'm a sucker for great pop songs. And, really, there was no better time and place than 60s/70s Motown for pop music. I look at this song and "I Want You Back" as long-lost twins born two years apart. Once again, no great explanation for this track: I just always love to hear it. Funny story, the demo version of this song was hilariously called "Guess Who's Making Whoopie (With Your Girlfriend)" but was changed to keep with Michael's child-like image. OK, now I know Michael had a lot in his life to screw him up; but has anyone thought he had messed up sexual issues because he was singing about nailing girls since he was born, basically? Think about it.

8tracks: External:


Woah we're close!
Erik

Monday, March 8, 2010

My 100 Favorite Tracks of All Time (40-31)

I don't have any clever lead-in.

Recap:
100. Stuck in America - Sugarcult
099. History Lesson - Part II - Minutemen
098. To Clean (Acoustic) - Woods
097. Furr - Blitzen Trapper
096. At the Chime of a City Clock - Nick Drake
095. Search and Destroy - The Stooges
094. Scott Farcas Takes It On The Chin - Less Than Jake
093. Ruby Soho - Rancid
092. B.O.B. - Outkast
091. Monk Time - The Monks
090. Waiting Room - Fugazi
089. Ain't That Peculiar - Marvin Gaye
088. (I'm Not Your) Steppin' Stone - Minor Threat
087. Daylight - Aesop Rock
086. In the New Year - The Walkmen
085. Judy is a Punk - Ramones
084. I'm the Man Who Loves You - Wilco
083. My Brain Is Hanging Upside Down (Bonzo Goes To Bitburg) - Ramones
082. White Riot - The Clash
081. Many Rivers to Cross - Jimmy Cliff
080. Lived In Bars - Cat Power
079. Venus - Television
078. In The Neighborhood - Tom Waits
077. Losing My Edge - LCD Soundsystem
076. Vitamin C - Can
075. International Player's Anthem - UGK (feat. Outkast)
074. Someday - The Strokes
073. These Days - Nico
072. All Falls Down - Kanye West
071. Debaser - Pixies
070. Suspicious Minds - Elvis Presley
069. Goodbye Stranger - Supertramp
068. For Once In My Life - Stevie Wonder
067. Leaves That Are Green - Simon & Garfunkel
066. Mr. Pitiful - Otis Redding
065. Four Winds - Bright Eyes
064. Forks and Knives (La Fete) - Beirut
063. If Looks Could Kill - Camera Obscura
062. People Got A Lotta Nerve - Neko Case
061. You Got Yr. Cherry Bomb - Spoon
060. Newsflash - Windmill
059. Rose Parade - Elliott Smith
058. Into the Mystic - Van Morrison
057. You Can Call Me Al - Paul Simon
056. Waterloo Sunset - The Kinks
055. Losing Out - Black Milk (feat. Royce Da 5'9")
054. The Boy with the Thorn in His Side - The Smiths
053. Ever Fallen in Love (With Someone You Shouldn't've)? - Buzzcocks
052. All I Need - The Temptations
051. God Only Knows - Beach Boys
050. Elephant Gun - Beirut
049. Skating Away - Jethro Tull
048. Man Out Of Time - Elvis Costello
047. Brother Run Them Down - Constantines
046. M79 - Vampire Weekend
045. The Wind - Cat Stevens
044. Constructive Summer - The Hold Steady
043. Reinventing the Wheel to Run Myself Over - Fall Out Boy
042. I'll Be Your Man - The Black Keys
041. A Change Is Gonna Come - Sam Cooke

040-031:
040. Landslide - Smashing Pumpkins (http://is.gd/a0blC)
I have always admired this song more than my significant distaste for Stevie Nicks. It's such a perfect expression of transition ("I climbed a mountain and I turned around.") I like this version so much more than the original, because I think Corgan's voice just nails it. And he sings these lyrics so emphatically he may as well have written them.

039. Here Should Be My Home - No Age (http://is.gd/a0bSj)
This is a newer track by lo-fi duo No Age. Songs like this are the beauty of the "greatest vs. favorite" debate. Now, I know this probably isn't the 39th greatest song ever written, but there are few musical moments that I love more than when the drums open up halfway through this song; just, so much attitude and energy. And I am always struck by the delivery on the line "If I'm around here, then here should be my home/But it's not at all."

038. Metal Firecracker - Lucinda Williams (BAD covers only on YouTube)
My two favorite country albums of all time are Johnny Cash as Folsom and Lucinda Williams' Car Wheels on a Gravel Road. The whole album is full of raw emotion, which is what I look for with country music. I mean there's always a place for a clever turn of phrase like a Neko Case song, but my heart just melts for simple country girls. The sentiment on the chorus of this song is so devastatingly self-deprecating. "All I ask is don't tell anybody the secrets/Don't tell anybody the secrets I told you." Like, you can do whatever you want to me and it's fine, just please keep what we had between us. And delivered in the drawl, Lucinda, I'm yours.

037. So Far Around the Bend - The National (http://is.gd/a0dy1)
Woah this song and band snuck up on me. I don't know what took me so long. Like, I heard Boxer, and thought it was good. And I heard this song on Dark Was The Night, and must have just overlooked it. But after rediscovering it via Tim Kringle's 2009 review I went back and looked at the National's catalog. And now they are one of my favorite bands. OK. This song. Things I intensely love about this song: 1. Patience. The National is as good as they are because of their rhythm section; the backbone. This song doesn't rush. It unfolds wonderfully. If you need any evidence of their great rhythm section just look at 2:00 into this song. 2. The lyrics (especially the unnecessary and brilliant second chorus). 3. Nico Muhly's whimsical and lovely orchestration. Such a great song.

036. Shakey Dog - Ghostface Killah (http://is.gd/a0dTe)
No chorus. No need for a chorus. This song is straight fire from the beginning to end. One thing I noticed the last time I heard this song: well, obviously, the beat samples "I Can Sing A Rainbow/Love Is Blue" by the Dells, and the song begins with the word "Green" over and over. How did I miss this? Well either way, Ghost comes out firing. This may be narratively the most engaging rap song of all time. At a little after 3:00 the story peaks pretty hard and Ghost is "on the floor like, 'Holy Shit!'" and I pretty much feel the same way. I am in awe of this song.

035. I Only Want to Be With You - Dusty Springfield (http://is.gd/a0evo)
This is as close to a perfect pop song as you can get. There really isn't a whole lot of conmplicated justification for why I love it. I just don't think I've ever been in a room where "I Only Want to Be With You" has come on and not been cheered up.

034. July, July! - The Decemberists (http://is.gd/a0f0g)
There are a lot of Decemberists tracks that could have been on this list. But, like the previous track, I don't think "July, July!" has ever come on and not been welcomed. And, of course it's just emblematic of Colin Meloy's hyper-literate and imaginative songwriting and great pop sensibilities.

033. I Want You - Bob Dylan (http://is.gd/a0fvg)
As I said in the intro, this list could have contained most of sides A and B of Blonde on Blonde (specifically "Visions of Johanna," "Stuck Inside of Mobile with the Memphis Blues Again," "I Want You" and "One of Us Must Know [Sooner or Later]"). But I settled on "I Want You," because I tend to associate songs with movie scenes. And this song I associate this this scene (NSFW) http://is.gd/a0Opw, which is my favorite love/sex scene of all time. "The cracked bells and washed out horns blow into my face with scorn/But it's not that way; I wasn't born to lose you."

032. No Rain - Blind Melon (http://is.gd/a0fJL)
This song is possibly the catchiest song about horrible depression of all time. Just heartbreaking lyrics and peppy, pretty music. That's my kind of track. I also like this song for the same reason I like "So Far Around the Bend": its patience. No rush. Just relax and enjoy the late Mr. Hoon's sadness.

031. Answering Machine - The Replacements (http://is.gd/a0g7r)
Let It Be is such an amazing album. I was really close to putting "Unsatisfied" on here, but went with "Answering Machine." I love how it's like an acoustic folk song, but with that tough guitar sound and Paul Westerberg's punk vocals. "Try and free and slave of ignorance/Try and teach a whore about romance." The lyrics to this song are just unbelievable.

8tracks: External:


Woot,
Erik